Anywhere Theatre Festival 2014

Each year, the Anywhere Theatre Festival takes over Brisbane, running events… well, pretty much anywhere! Promotional material is a pretty important part of any production, and I was happy to work on the promotional images for three shows this year.

Thank Troggg You’re Here

Brett Hansen of Larrikin Puppets is the mastermind behind Troggg. I’ve shot puppets a few times before, but I wasn’t prepared for the presence and interaction of this blue marvel. He’s very cool, and my gosh he’s BIG. Brett, and Brad Daniels of EDGE Improv, premiered their show Thank Troggg You’re Here at the Anywhere Theatre Festival this year. It was a hit, and will be appearing again at various festivals throughout the year. Check out Larrikin’s events page for details.

 

Rimmelzwaan Robinson & White

Luke Rimmelzwaan, Wade Robinson, and Brittany White are lawyers by day, improvising actors by night. Their worlds collided in Rimmelzwaan Robinson & White at the Fox hotel.

The prep for this shoot was decidedly minimal – a quick walk out to the street, and a few shots in front of a bottle shop. Then inspiration hit: “Hey guys, what do you think about stuffing yourselves in to that phone booth?” No hestitation – in they go, resulting in some images I really like. 🙂

Brisbane Theatresports Championship

Impromafia produced the Brisbane Theatresports Championship for the festival – also upstairs at the Fox hotel. The brief for this one was “nerdy hipsters” – I think we nailed it 🙂

2014 Queensland Professional Photography Awards

2014 is the third year I’ve entered the Queensland Professional Photography Awards (aka “the QPPAs”, which our kids think is hysterically funny). I’m pleased to say it was a successful year for me, with four prints receiving Silver awards, including my first two submissions in the Travel category.

Submitting prints to an AIPP judging is quite a strange experience really; you select images that speak to you and that you think will speak to a panel of judges, you tune them to make sure they’re as strong as they can be, then print them and matt them on a standard size board, pop them in a print case, and send them on their way. OK, summarising it in one sentence doesn’t sound too bad… It’s amazing how much time and attention and angst gets poured in to that little print case.

Each year I learn a bit more about the process, and hopefully a bit more about what it takes to be successful. This year I paid a lot more attention to print quality and paper, and after some professional critiquing went to legendary landscape photographer Darren Jew to help with my printing. I think that had a positive outcome. I learned a lot watching the judging too, especially what the judges look for with respect to communication with the viewer. I’m really proud of what I submitted to the QPPAs this year, but I’m even more focused on next year’s submission now.

Here are the images – hope you enjoy them 🙂

Dawn at dawn – Silver award, Illustrative category

I’m still very happy with the session we did with Dawn back in 2013. (That was a big photography day for me; after getting up well before sunrise to shoot the band, I headed off to Hair of the Dog, an AIPP conference focused on learning and workshops, not to mention hanging out with other passionate photographers.) This was actually the last image to be included in my submission; it’s one of Wanda’s favourites, and she really wanted to see it go up for judging. And she did. And it went well.

Stepped Pool – Silver award, Travel category

This image came from our trip to Bangalore in 2013. The Bhogandishwara Temple outside of Bangalore was a fantastic place to visit. This stepped pool was magnificent.

When we first came in to the stepped pool area, there were five or six tourists around, and a dog or two as well. We wandered around, taking a few images and generally being awed by this ancient building.

This man in white came in and sat, probably like he’s done every day for thirty years, and probably like he’s going to do for the rest of his life. And then, one by one, the tourists filed out, until for a few seconds the pool was empty save the three of us and the man. I motioned Wanda and our photographer friend Hari towards the back of the pool area, lined up the shot, and took two exposures before more people came in. Good timing I think.

Dream Weaver – Silver award, Travel category

Most of the time when you’re in a shop buying something, you know it was probably manufactured a thousand miles away, and passed through twenty pairs of hands to get to you. Not this time. On our Bangalore trip, while Wanda and our friend Neeru were in a silk shop, our driver Rajesh led me out of the shop and through an adjacent door, then through a winding dark hallway. I’ll admit to being very curious and maybe a little apprehensive about it… Until he opened a door to this man, working on a pretty amazing and very noisy silk loom, weaving items for sale next door.

This is probably my favourite picture from our Bangalore trip.

Lonely Walk – Silver award, Illustrative category

This is one of my favourite images from a self-commissioned shoot we did late last year with Elizabeth Best. We had a fantastic little crew to put this together, including Shane Skerik, Nigel Riley, and make up artist Danielle Riley (Principal MUA of à la lumière Makeup and Beauty) – the crew really brought this shoot to life. Although we did have a little man-made rain to start the shoot, I think by this stage Mother Nature came to the party with a good downpour.

Because this image went to a challenge in the QPPA judging, I was treated to a fantastic critique of the print. I love it as it is, but if I take it to the APPAs (the national awards later this year) I have a few things to try…

 

Melbourne

Last year at the APPAs, luck was smiling on me. Each year the most excellent folks at Kayell and Canson run a contest for APPA entrants. The 2013 contest gave seven entrants an all-expenses paid trip to Melbourne and the Mornington Peninsula for a landscape masterclass with two of the absolute legends of Australian photography, Peter Eastway and Les Walkling. I don’t know what I did to have chance favour me, but I was very excited to find out I was one of the seven! So early in 2014, Wanda and I packed our bags and headed to Melbourne.

Day 0 (well, it’s the day before the workshop started…): I’d never been to Melbourne before. Pretty exciting. First impressions? This is a city that understands art. Brisbane has a few art installations here and there, and they look a bit like someone from council bought artwork piece #249A and installed it at grid location 41B. Melbourne art installations seem to belong right where they are, as though they are considered important. I quite like that. We stayed right in the city, within walking distance of lots of good stuff to see, and walk we did.

Day 1: Because I am a crazy person, I thought I’d get up before dawn to wander about, letting Wanda have a sleep in. Around the time of the morning where joggers contend for sidewalk space with the people that just got kicked out for closing time at the strip clubs. I made my way to Hosier Lane, which you have undoubtedly seen a million bazillion times in photos. Apparently it’s often jam packed with photographers. That said, because it was nice and early, in the 20 minutes or so that I was there, I saw one other person. I’ve been told that was quite a luxury.

These are a couple of my favourite images from Melbourne.

Day 1, continued: We made our way down to meet with the rest of the winners at Kayell, then off to the hotel that served as HQ for our trips out. Gotta say, it’s a little intimidating sitting around a table with the other winners, who are all very accomplished photographers. Look over there, that’s David Evans, Master of Photography, several times SA photographer of the year, and driving force behind the Epson International Pano Awards. And, oh, Mandarine Montgomery, none other than the current Australian Portrait Photographer of the Year. And on and on it goes. Then “Hi, I’m Kris, I’m new here, and, er, I like bacon.” OK, I might not have said that. But the idea that we’d get to hang out with these people was pretty intimidating.

In reality… Intimidating? Hardly. This set of people were very cool, very open, very nice, no ego, just stories and experimentation and boundary pushing. I can’t believe Wanda and I got to spend three days with them.

Disaster #1: tell me how I could possibly have forgotten to bring shorts? Jeans yes, trackies yes. Shorts no. And it was HOT. Fortunately Monsieur Evans had a spare pair, so I wasn’t completely stuffed.

Disaster #2: First afternoon out, and BLAMO! Wanda’s camera dies. She did manage three or four frames before it fully died. Later on it turned out to be a pretty serious internal fault, so nothing as silly as a loose connection or low battery or anything. But for the remainder of the trip, she got by just fine with her iPhone. Bummer dude. She wouldn’t take my camera from me either.

At this stage I should tell you – Landscapes are without doubt one of my weakest areas of photography. I’ve never developed the eye for it. I suspect part of it is that I don’t think I have the time to devote to doing it properly. Life is pretty full, and there are some things I love to do, some people I love to see, and some things I kinda just have to do, and that makes it difficult to carve out many hours for travelling and waiting for the right light. That made this trip all the more special – no kids, no responsibilities, Wanda with me, off we go.

Day 2 and Day 3 we had early starts to head down to Cape Schanck. We didn’t quite time it right the first time, but our second time was more successful. I would have to say that my captures on the first trip were 99% rubbish, and on the second trip they were only about 92% rubbish, which is a serious improvement!

This next one is probably my favourite image from our trips out. The sun was just coming up over the horizon, as we were heading back to the parking lot. It was a gorgeous, gorgeous day, a little mist out on the bay, sun lighting up the bushes and grasses on the hill. By this point we knew everyone else pretty well, and everyone was having lots of fun. The composition of this one isn’t going to win any awards or sell any prints. But it’s not for anyone else but us, so that’s ok.

Later in the day, Fiona Harrison took us back to Kayell, and gave us the local’s tour. That was seriously the nicest thing – she took us past the places she’s lived with her family, the places she and Andrew often go for wedding shoots, where their studio used to be… it’s amazing that these people you have only just met would take the time and be so generous. Thanks Fiona, driving back with you was absolutely the cherry on top.

I was pretty sad to be heading home at the end, and I’m pretty sure Wanda was similarly devastated. It’s true that we learned a thing or three. But by far the bestest best part of the weekend was getting to know each of the wonderful people. It completely reinforced the idea I have that photographers as a general rule are nice, supportive, friendly, driven, and definitely inclusive and welcoming. We’ve made some friends that I sure hope we get to see again someday. Australia’s a big country and we’re separated by some big distances… but the photography community is pretty tight-knit, so somehow I expect we’ll cross paths again.  Vanessa, Anna, David E, David M, Mandy, Fiona, Andrew, Peter, Les, Zach, and Rob – thank you so much for making this such an amazing experience for us.

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(Thanks Mandy for the photo 😉 )